pokemonpalooza:

My Neighbor Venusaur by ~Piscimancy

coelasquid:

howtokillasuperhero:

Muscle guide by Body Type

HOT.

Cool

Just curious on how you approach composition and perspective. I feel as if sometimes I think too hard, not really about what to draw but how to draw it and make it look interesting. The comic panels you have been doing are amazing. Any tips/references on improving my knowledge of composition and perspective? What do you think about as you lay your pencil on the drawing paper? what goes through your mind?

jakewyattriot:

*STANDARD DISCLAIMER* I’m not handing down life lessons or trying to assert that there’s a ‘correct way’ to draw. I’m just trying to make perspective more approachable for thems that want to tackle it.

Okay. Let’s do this.

1. Understand what perspective is and what it’s for. Stay away from rulers while you get comfortable.

Everyone struggles with perspective because 1. it’s not well or widely taught and 2. artists tend to see linear perspective as a set of rules rather than a set of tools.

Linear perspective is a TOOL we use to create and depict SPACE. That’s it. That’s all it is. Your goal is not to draw in ‘accurate linear perspective.’ Stay away from the ruler and precision for as long as you can. Your goal is to create the illusion of three-dimensional space on a two-dimensional surface. Perspective is just a tool to help you construct and correct that space.

2. Know in your bones that you can ONLY learn to draw in perspective through physical practice. There is no other way.

Grab some paper and draw with me. If you match me drawing for drawing you will be more fluent in linear perspective and spatial drawing by the end of this post. Unfortunately if you don’t, you won’t be.

3. Sketch around in rough perspective. NO RULERS.

So let’s make some simple space. let’s start with a two dimensional surface…image

K. We have a flat, 2D surface. Let’s create some depth by putting a vanishing point in the middle, and having parallel lines converge towards it. Make a gridded plane inside that space.

image

Good. Let’s make that space meaningful by adding a dude and a road or something. (Again, parallel ‘depth lines’ will converge into the vanishing point along the horizon)

image

And now we have the rough illusion of some space. I didn’t use any rulers, and it’s not perfectly accurate, but we got our depth from that vanishing point right in the middle of the page. And since we have a little dude in there, we’ve got human scale, which allows us to gauge the size of the space we’ve created. Gives it meaning.

You need people or cars or some recognizable, human-scale THING in there as a frame of reference or your space won’t mean much to your viewer. Watch. We can make that same basic space a whole lot bigger like this:image

Same vanishing point in the same place, completely different scale, and a totally different feeling of space. Cool, right?

3. Sketch around in rough perspective MORE. STAY LOOSE.

See what sort of spaces and feelings you can create with vanishing points and gridded planes on a post-it or something. Super small, super rough. Feel it out. Pick a vanishing point or lay out a grid in perspective, and MAKE SOME SPACE. Do it. Draw, I don’t know, a lady and her dog in a desert. I’ll do it, too.

image

Good job. LOOK AT YOU creating the illusion of space! This is how you’ll thumbnail and plan anything you want to draw in space. All of my drawings start this way. I think about how I want the viewer to feel and then play around with space and composition until I find something that works.

Once you have a sketch you like, and space that you feel, THEN you can take out the ruler and make it more accurate and convincing.

4. Draw environments from life.

I cannot stress this enough. Draw the world around you, try to draw the shapes and angles as you see them, and you will ‘get’ how and why perspective is used. Use something permanent so that you’ll move fast and commit. I usually use black prismacolor pencil.

You’ll learn or reinforce something with every drawing. I learned a lot about multiple vanishing points from this drawing:

image

Learned from the receding, winding space I tired to draw here:

image

Layered, interior spaces:

image

You get the idea.

image

Life drawing will also help you develop your own shorthand and language for depicting textures, materials, details, natural and architectural features, etc. Do it. Do it all the time. Go to pretty or interesting places just to draw them.

image

Take a second and just draw a quick sketch of whatever room you’re in.

5. Perspective in formal Illustration: apply what you’ve learned.

1. I always start with research. For this particular location I looked at Angkor Wat.

2. Once I had enough reference, I did a bunch of little thumbnail sketches with a very loose sense of space and picked the one I liked best.

3. Scanned the thumbnail and drew a little more clearly over it. Worked out the rough space before using formal perspective.

image

4. Reinforced the space with formal perspective. I dropped in pre-made vanishing points over my drawing. If I were drawing in real media here’s where I’d get out the ruler to sketch in some accurate space.

5. Drew the damn thing. Because I do my research, draw from life, and am comfortable drawing in perspective, I can wing it. I just sort of ‘build’ the ruins freehand in the space I’ve established, keeping it more or less accurate, experimenting and playing with details along the way. I erase a lot, too, both in PS and when drawing in pencil. Keeps it fun for me.

And that’s what I know about composition and perspective. If you want more formal instruction on perspective and it’s uses, you can use John Buscema’s How to Draw Comics the Marvel Way. Or If you want to get really intense about it, Andrew Loomis can help you.

-Jake Wyatt

jumpingjellysblog:

A few of my most recent jelly creations. See these and more at www.etsy.com/shop/jumpingjellys

:) 

rpgfanatics:

As the patch approaches, a look back on what used to happen when the server crashed.
http://rpgfanatics.tumblr.com

the-goddamazon:

runescratch:

I’ve been asked a lot about how I draw hoods, mostly Talon’s hood, so I hope this helps a little? Just a pretty basic thing but hey there ya go

Hoods are pretty cool, they usually have a lot of variety in how they can look (and sometimes people even wear two hoods at once) so just get creative with it and have fun

HOLY SHIT I NEEDED THIS

So, there’s this girl. She’s tragically orphaned and richer than anyone on the planet. Every guy she meets falls in love with her, but in between torrid romances she rejects them all because she dedicated to what is Pure and Good. She has genius level intellect, Olympic-athelete level athletic ability and incredible good looks. She is consumed by terrible angst, but this only makes guys want her more. She has no superhuman abilities, yet she is more competent than her superhuman friends and defeats superhumans with ease. She has unshakably loyal friends and allies, despite the fact she treats them pretty badly. They fear and respect her, and defer to her orders. Everyone is obsessed with her, even her enemies are attracted to her. She can plan ahead for anything and she’s generally right with any conclusion she makes. People who defy her are inevitably wrong.

God, what a Mary Sue.

I just described Batman.

--

http://adventuresofcomicbookgirl.tumblr.com/post/13913540194/mary-sue-what-are-you-or-why-the-concept-of-sue-is (via twerkinshield)

WILL AUTO-REBLOG FOREVER.

(via carnivaloftherandom)

MOTHERFUCKER- Mary Sue is a fanfic phenomenon. You want your OC in your original work to be overpowered as fuck- then GOD BLESS.

You want to shoehorn your overpowered OC into a pre-existing framework that disrupts the dynamic of the story, and takes away from the individual accomplishments and interpersonal relationships of that story in order to feel superior- then Not So Much.

Batman is not a Mary Sue in the DC universe. Throw Batman into Harry Potter- then we have a Mary Sue.

(via angelcarnivore)

pretty sure if you threw batman into harry potter you’d have sirius black

also batman is not a mary sue //in batman comics// but in the justice league he absolutely is?  he’s written as an unstoppable super-mind who regularly rescues living gods and it’s ridiculous, but while people routinely critique the writing on those stories, nobody ever calls him a mary sue because batman is a dude (well, tbh bc he’s //batman// but still, if it was jimmy olsen they wouldn’t call him a mary sue even though HE TOTALLY IS)

the mary sue thing started so male fanfic readers could tear down female fanfic writers so even if it was ever a legitimate complaint - and given that gate-keeping structure explicitly shaping it’s origins, i don’t buy that - it’s got a bunch of awful nonsense bound up in it

thisthis, and, ironically, this

and this

(via ultralaser)

Basically they just described how “Mary Sue” is a sexist term to describe authors who make female OCs who have a level of popularity equivalent to Batman. Just saying…people are always bitching about female OCs in fanfiction and not the male ones that make appearances.

bottomjared:

Hey! So, Coming Out Day is coming up soon (Oct. 11) and I just want to post a very stern reminder to NOT out anyone without their explicit permission.

Do NOT out anyone.

Got it?

Okay.

lady-eve:

I just realized that the lack of acceptance for asexuals is literally the dumbest thing.
Like, you can’t handle the thought of two dudes kissing? Okay you’re dumb and terrible whatever.
But you can’t handle the idea… Of someone… Not kissing anyone? What are you worried about? They’re gonna eat too much mac n cheese?? Draw too many dinosaurs??? Tell me

peach-blossom-spring:

清辉阁 2014 春季新款刺绣汉服

Qinghuige Hanfu 2014 Spring collection and embroidery designs 

(Source: mingsonjia)

©ID